Wednesday, November 13, 2013

Anyone Lives In A Pretty How Town

E.E. cummings is wiz of the most famous poets of the twentieth century. His strange style with both the language of his numberss as intumesce as the format have broke through frontiers in the rhythm stress world. His verse forms often contain a wide-eyed t ane, as wholesome as a vinegarish wit which add to the apostrophize of the work. wholeness of his most well know meters, anyone dies in a comely how t throwsfolkspeople was written in such a manner. provided, beneath the charming exterior of the poesy, lies a deep meaning. This poem was written to express Cummings disdain with cab arts office toward identity element, and their apathetical approach to life.          This poem of E.E. Cummings clearly portrays his philosophy on life. A major form on the poem was Cummings animosity with the static, pompous, and dull wad surrounding him. The poet took his interpretation of shun from Dante, formula that hate is still delight in perverted. He so applied this interpretation to the reenforcement dead around him. Because he believed that their behavior was non the resolve of a force, such as evil, except earlier a willful distortion of good, he was able-bodied to react with craziness against those who acted in this fashion. Cummings poured energy into appraise and celebrating get alongrs and those who call down, while at the same time set off against those with no respect for individuality.         The eldest stanza of the poem sets the tone as well as the themes and motifs for the undefiled piece. It introduces the subject of the poem, anyone. When viewed as general, anyone is non referring to someone in particular, merely rather any remains who happens to recognize in this town channel. However if viewed on a more specific level, anyone is the fighter aircraft of the poem. He is referred to in such a manner to pee clear the towns populations lack of conceiv e for him. This characteristics of this to! wn be explored in the rest of the line, in a beauteous how town. By shifting the phrase of how pretty a town and placing how as an adjective show the composition that the particular panache of doing things kind of of the feeling behind the transaction is what matters most (Lane 100). The syntactic dislocations in line two likewise help set the poem in motion. There is a juxtaposition of floating and bells, up and down to provide a musical tone to the words. The church service bells symbolize staves: day and night, have got and death, peace and war. Line terzetto anticipates this effect with the cycle of internal growth, spring, summer, autumn, winter. The rhythm suggests the sack of time. The last line of the stanza shows how adjuratory action is to anyone. He sang and dancingd, revealing his respect and love for life (Friedman 105).         In the close stanza women and men are introduced as beingness both teensy and s mall. Instead of being big and small, the normal explanation of physical attributes, they are little and small, with no individuality or emotions. Not single did they harbor no love for the hitman, they loved no one else either. The townspeople wasted their brooks and in time ? they sowed their isnt they reaped their same/ sunlight moon stars rain. The same toilet table descends upon their children         The children guessed that a girl named noone was in love with anyone. However, as they grew and notice the lack of emotion displayed by the adults their awareness faded. And once they were down the stairs the impression that no one loves anyone, the children forgot their intuitive feeling that in truth noone loves anyone. In item this is an essential piece of the poem. It is noone who fills the tornado in anyones heart. Crying with him during his badly times and laughing with him during the joyous ones bring liveliness to her lover. homogeneous a bird brings the arriver of s! pring to a winter, or a breeze stirs up the stillness of summer, she fills the void. (Lane 101).         The fifth stanza reiterates the suaveness of the townspeople. Someones married their everyones- unlike the mavin and heroine of the poem who viewed love as a precious and essential gift, the obscure members of the town apparently married other nameless inhabitants out of duty. The next line illustrates the difference between the hero and the town. Anyone danced his did, while the townspeople did their dance. However these two dances differ in their nature immensely. While anyones dance was one of action and life, the dance of the townspeople is monotonous. Where others say prayers at night, these characters say nevers. Prayers require hope, purpose, and emotion, which are all characteristics which are abstracted in the members of the town. Not only when do they say their nevers but they recreation their dream They wrap themselves to empty rituals.
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        All keeps moving, the seasons and the days, and with it the children grow as dull and imperceptive as their parents. They forget their sense of individuality and conform. Only the snow which symbolizes the unwarmed touch of time tail assembly begin to explain how the children forget (Clark). They lose their purpose and goals, never again venturing from the cycle of birth and death, night and day, peace and war.         In the s veritable(a)th and 8th stanzas the hero dies. The word used in the line to get a line the feeling when he perished is guess. On e day anyone died I guess, this truly shows how una! ttached the town was, and how disjointed society still is. When anyone died, noone (the only one who cared) asymmetrical to kiss his face and then died as well. There was no mourning future(a) their deaths, only busy folk who came to inhume them together. But redden in death the hero and heroine do not slumber their dream like the townspeople they despise, rather they dream their sleep(Lane101).. Anyones love for growth and action did not die with his body but lived on with his soul.         The last stanza of the poem describes how the rhythms of life continue as they had before. The death of a associate degree someone having no impact on their daily lives. However, even in the last stanza, E.E. Cummings reflects on the ideal way to live life, and the way the people in this town make to live it. Women and men (both dong and ding)- dong and ding typifies how people are supposed to be individuals, make their own decisions, and live their o wn lives (Lane 102). This issue has been constantly brought up in the poem. Differences should be embraced and prize rather than shunned as they are in this pretty how town.         The poem anyone lives in a pretty how town illustrates Cummings disgust with society. Each word, line, and stanza symbolize an aspect of the town he despises. Cummings uses the physical form of the poem to tone up his message that maintaining individuality is crucial and those who simply conform to others ship canal of thinking are not whole. His love for life, and hate towards those who run to appreciate it are passionately depicted in this poem. If you privation to get a full essay, order it on our website: BestEssayCheap.com

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